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  • This was the first British painting purchased by Mr. Mellon and his first wife, Mary. They bought it together in 1936 from Knoedler’s in New York City. “It was my very first purchase of a painting,” Mr. Mellon recalled later, “and could be said to be the impetus toward my later, some might say gluttonous, forays into the sporting art field” (Mellon, 1992, pp. 280–81). Until the end of Paul Mellon’s life, “Pumpkin” remained one of his favorite paintings. By Match’em out of Old Squirt Mare, the chestnut Pumpkin was foaled in 1769. In twenty-four starts he won sixteen races, many of them at Newmarket, altogether worth 6,090 guineas and nine hogsheads of claret. In 1772, in his first race, Pumpkin beat the favorite, Denmark, by half a neck. It was thought to be one of the finest races ever run on English turf. He went on to win a long series of matches in the subsequent three seasons. Pumpkin's owner was the 2nd Baron Foley, who commissioned Stubbs’s portrait. Lord Foley was a member of the Jockey Club, a racing crony of Charles James Fox, and the Presbyterian heir to an iron and coal fortune. Stubbs’s rendition of the stable lad, who is presumably about nine or ten years old, is exquisitely sensitive, conveying seriousness and responsibility as much as boyish charm: he holds a sieve, from which he feeds his charge. Stubbs painted three other portraits of Pumpkin, each with the jockey William South in Foley's blue-and-white racing colors (at Ascott House [National Trust]; with H.M. the Queen; and with the Earl of Halifax), but the warmth of the stable lad’s rose-red jacket and the unusual glimpse of white paling fence beyond the dip in the middle distance are typical of Stubbs’s supremely inventive approach to the composition and coloring of his portraits of thoroughbred racehorses.
?:PX_curatorial_comment
  • This was the first British painting purchased by Mr. Mellon and his first wife, Mary. They bought it together in 1936 from Knoedler’s in New York City. “It was my very first purchase of a painting,” Mr. Mellon recalled later, “and could be said to be the impetus toward my later, some might say gluttonous, forays into the sporting art field” (Mellon, 1992, pp. 280–81). Until the end of Paul Mellon’s life, “Pumpkin” remained one of his favorite paintings. By Match’em out of Old Squirt Mare, the chestnut Pumpkin was foaled in 1769. In twenty-four starts he won sixteen races, many of them at Newmarket, altogether worth 6,090 guineas and nine hogsheads of claret. In 1772, in his first race, Pumpkin beat the favorite, Denmark, by half a neck. It was thought to be one of the finest races ever run on English turf. He went on to win a long series of matches in the subsequent three seasons. Pumpkin's owner was the 2nd Baron Foley, who commissioned Stubbs’s portrait. Lord Foley was a member of the Jockey Club, a racing crony of Charles James Fox, and the Presbyterian heir to an iron and coal fortune. Stubbs’s rendition of the stable lad, who is presumably about nine or ten years old, is exquisitely sensitive, conveying seriousness and responsibility as much as boyish charm: he holds a sieve, from which he feeds his charge. Stubbs painted three other portraits of Pumpkin, each with the jockey William South in Foley's blue-and-white racing colors (at Ascott House [National Trust]; with H.M. the Queen; and with the Earl of Halifax), but the warmth of the stable lad’s rose-red jacket and the unusual glimpse of white paling fence beyond the dip in the middle distance are typical of Stubbs’s supremely inventive approach to the composition and coloring of his portraits of thoroughbred racehorses.
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  • Bibliograpic reference ::
  • Bibliograpic reference :: A Great Collection of British Pictures in Virginia, The Times (London), Issue No. 55689, May 1, 1963, p. 5, Available Online : Times Digital Archive , Also available on Microfilm: Film An T482 (SML)
  • Bibliograpic reference :: Arthur Ackermann & Son Ltd., An exhibition of XVIIIth and XIXth century oil paintings of celebrated racehorses : 9th May to 1st June, 1962, presented by the British Racehorse at the galleries of Arthur Ackermann & Son, Ltd., London, 1962, p. 13, No. 5, DealerCat Arthur Ackermann (YCBA)
  • Bibliograpic reference :: Basil Taylor, Stubbs, Phaidon, London, 1971, p/ 210, no. 66, pl. 66, NJ18 St915 T39 (YCBA) +
  • Bibliograpic reference :: Basil Taylor, Stubbs, Phaidon, London, 1975, p. 210, pl. 66, NJ18 St915 T39 1975 (YCBA) +
  • Bibliograpic reference :: Brian Allen, The Sport of Collecting : Paul Mellon and British Art, Apollo, v.165,no.542, April 2007, pp. 35,36, fig. 4, N1 A54 + (YCBA)
  • Bibliograpic reference :: Brian Allen, The Sport of Collecting: Paul Mellon and British Art, Apollo, v.165,no.542, April 2007, pp. 35,36, fig. 4, N1 A54 + (YCBA)
  • Bibliograpic reference :: Castiglione, Scott, auctioneers, London, Heirlooms and objet d'art from Ruxley Lodge by order of Rt. Hnble Gerald Henry Baron Foley., October 14-20, 1919, Castiglione, Scott, [London, 1919, p. 40, lot. 564, X348 C191 1919/10/14-20 (LSF - MUDD)
  • Bibliograpic reference :: Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 62, ND466 G67 (YCBA)
  • Bibliograpic reference :: Charles B. Wrightsman, The Wrightsman collection, Metropolitan Museum of Art, New York, 1966, p. 217, no. 2, N5220 W88 (YCBA) +
  • Bibliograpic reference :: Chet Hagan, The Paul Mellon collection of sporting art, 1972, p. 1223, V 0368 (YCBA)
  • Bibliograpic reference :: Constance-Anne Parker, Mr. Stubbs, the Horse Painter, J. A. Allen, London, 1971, pp. 109, 149, NJ18 St915 +P37 Oversize (YCBA)
  • Bibliograpic reference :: Constance-Anne Parker, Mr. Stubbs, the horse painter., J. A. Allen, London, 1971, pp. 109, 149, NJ18 St915 P37 (YCBA) +
  • Bibliograpic reference :: Duncan Robinson, At home to sporting art : the Brick House, Essays of Friends of British Sporting Art, no. 33, Friends of British Sporting Art, Summer 1997, pp. 2, 4, N8250 .B751 (YCBA)
  • Bibliograpic reference :: Duncan Robinson, At home to sporting art : the Brick House, Essays of Friends of British Sporting Art, no. 33, The British Sporting Art Trust, Summer 1997, pp. 2, 4, N8250 .B751 (YCBA)
  • Bibliograpic reference :: Genius Defined, Time, vol. 82, no.. 1, July 5, 1963, p. 58, V 2333 (YCBA) , Hard Copy also available at SML - AP2 T55 +
  • Bibliograpic reference :: Giles Waterfield, Mr Mellon, RA : the magazine for the Friends of the Royal Academy, No. 96, Autumn 2007, p. 71, V 1905 (YCBA) , Detached from RA, no.96 (2007:Autumn)
  • Bibliograpic reference :: In honor of Paul Mellon, collector and benefactor, Essays, National Gallery of Art, Washington, DC & Hanover, NH, 1986, pp. 24, 27,29-31, fig. 3 [b/w], N7442.2 M455 1986 (YCBA)
  • Bibliograpic reference :: In honor of Paul Mellon, collector and benefactor, Essays, Patrick Noon, Washington, DC & Hanover, NH, 1986, pp. 24, 27,29-31, fig. 3 [b/w], N7442.2 M455 1986 (YCBA)
  • Bibliograpic reference :: John Baskett, Painting in England: 1700-1850, the Collection of English paintings formed by Mr and Mrs Paul Mellon : on Exhibition at the Museum of Fine Arts, Richmind, untik August 18th, Connoisseur, Vol. 153, June 1963, p. 102, N1 C75 + (YCBA)
  • Bibliograpic reference :: John Baskett, Paul Mellon's legacy, a passion for British art : masterpieces from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 2007, pp. 2, 253, no. 25, fig. 2, pl. 25, N5220 M552 P38 2007 OVERSIZE (YCBA)
  • Bibliograpic reference :: Judy Egerton, British Sporting and Animal Paintings 1655-1867: A Catalogue, , Tate Publishing, London, 1978, p. 87, no. 84, Colour Pl. 14, ND1383 G7 B75 OVERSIZE (YCBA)
  • Bibliograpic reference :: Judy Egerton, British Sporting and Animal Paintings 1655-1867: A Catalogue, The Paul Mellon Collection, Tate Publishing, London, 1978, p. 87, no. 84, Colour Pl. 14, ND1383 G7 B75 OVERSIZE (YCBA)
  • Bibliograpic reference :: Judy Egerton, George Stubbs, painter, catalogue raisonne, Yale University Press, New Haven, Conn., London, 2007, pp. 358-59, no. 159, NJ18 St915 A12 E44 2007 + (YCBA)
  • Bibliograpic reference :: Julia Marciari-Alexander, This other Eden, paintings from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1998, pp. 2-3, fig. 2, ND1314.3 Y36 1998 (YCBA)
  • Bibliograpic reference :: Lindsay Duguid, The Recollected Works, TLS, the Times Literary Supplement, Issue no. 5458, November 8, 2007, p. 17, Available Online : TLS Archive , Also Available on microfilm : Film S748 (SML)
  • Bibliograpic reference :: Lindsay Rothwell, Paul Mellon's legacy, an American's passion for British art : Sackler Wing of Galleries, 20 October 2007 - 27 January 2008 : an introduction to the exhibition for teachers and students., Royal Academy of Arts, London, UK, 2007, pp. 2-3, cat. 25, V 2038 (YCBA)
  • Bibliograpic reference :: Luke Herrmann, The Paul Mellon Collection at Burlington House, Connoisseur, v. 157, no. 634, December 1964, p. 216, fig 7, N1 C75 + OVERSIZE (YCBA) , Another copy available in YCBA Vertical File Collection: v 2334
  • Bibliograpic reference :: Malcolm Cormack, George Stubbs in the collection of Paul Mellon, a memorial exhibition, Yale Center for British Art, New Haven, Conn., 1999, pp. 10, 13, 30, no. 13, NJ18 St915 G54 1999 (YCBA) , Copy 2 is on Mellopn Shelf
  • Bibliograpic reference :: Malcolm Warner, The Paul Mellon Bequest : treasures of a lifetime, , Yale Center for British Art, New Haven, CT, 2001, p. 81, N5247 M385 P28 2001 (YCBA)
  • Bibliograpic reference :: Malcolm Warner, The Paul Mellon Bequest, treasures of a lifetime, Yale Center for British Art, New Haven, CT, 2001, p. 81, N5247 M385 P28 2001 (YCBA)
  • Bibliograpic reference :: National Gallery of Art, Painting in Georgian England from the collection of Mr. and Mrs. Paul Mellon., National Gallery of Art, Washington, D.C., 1970, p. 6, no. 15, ND488 P25 (YCBA)
  • Bibliograpic reference :: Old Masters in Wide Variety, The racehorse in art, The Times (London), Issue no. 55393, 17 May 1962, p. 5, Avaialble Online : Times Digital Archive , Also available on Microfilm: Film An T482 (SML)
  • Bibliograpic reference :: Oliver Millar, The later Georgian pictures in the Collection of Her Majesty the Queen., Phaidon, London, 1969, p. 125 (v. 1), no. 1120, ND466 M55 (YCBA) +
  • Bibliograpic reference :: Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 77 (v.1), no. 274, pl. 54, ND466 R68 1964/65 (YCBA) , Also available on Microfiche: Fiche B214 (YCBA)
  • Bibliograpic reference :: Painting in England 1700-1850, collection of Mr. & Mrs. Paul Mellon., Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 168 (v.1), no. 319, pl. 184, ND466 V57 v.1-2 (YCBA)
  • Bibliograpic reference :: Paul Mellon's Legacy, a passion for British art. [large print labels], Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 +P381 2007, Mellon Shelf (YCBA)
  • Bibliograpic reference :: Paul Mellon's legacy, a passion for British art : April 18-July 29, 2007, Yale Center for British Art, New Haven, Conn., 2007, pp. 8-9, V 1735 (YCBA)
  • Bibliograpic reference :: Paul Mellon's legacy, a passion for British art. [large print labels], Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 +P381 2007, Mellon Shelf (YCBA)
  • Bibliograpic reference :: Paul Mellon, Reflections in a silver spoon, a memoir, W. Morrow, New York, 1992, btwn p 382-3, N5220 M552 1992 (YCBA)
  • Bibliograpic reference :: Stubbs, an exhibition in honor of Paul Mellon : National Gallery of Art, 4 May-2 June 1985., National Gallery of Art, Washington, D.C., 1985, p. 1, no. 1, V 0413 (YCBA)
  • Bibliograpic reference :: The Ascott collection, Ascott, Buckinghamshire., The National Trust, London, 1963, p. 14, DA664 A83 N37 (YCBA)
  • Bibliograpic reference :: The Yale Center for British Art, An Anniversary Celebration of Paul Mellon's Great Legacy, Apollo, April 2007, p. 35, fig. 4, N5220 M552 A7 OVERSIZE (YCBA) , Appeared as April 2007 issue of Apollo;; all of the articles may also be found in bound Apollo Volume [N1 A54 165:2 +]
  • Bibliograpic reference :: Virginia Museum of Fine Arts, Sport and the horse, catalogue of the exhibition of paintings assembled at the museum in Richmond from April 1 through May 15, 1960., Richmond, 1960, p. 32, no. 20, N7668 H6 V57 (YCBA) +
  • Bibliograpic reference :: Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon, [exhibition at] Yale University Art Gallery, April 15-June 20, 1965., vol. 1, W. Clowes and sons, , 1965, pp. 49-50 (v.1), no. 186, pl. 54, ND466 Y35 (YCBA)
  • Bibliograpic reference :: Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon, [exhibition at] Yale University Art Gallery, April 15-June 20, 1965., vol. 1, W. Clowes and sons, New Haven, 1965, pp. 49-50 (v.1), no. 186, pl. 54, ND466 Y35 (YCBA)
  • Dimension height :: 82.2cm
  • Dimension width :: 101.3cm
  • Exhibition :: 2016 Installation YCBA - 401
  • Exhibition :: An American's Passion for British Art - Paul Mellon's Legacy
  • Exhibition :: George Stubbs in the Collection of Paul Mellon: a Memorial Exhibition
  • Exhibition :: Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon
  • Exhibition :: The Paul Mellon Bequest : Treasures of a Lifetime
  • Located in :: 401
  • Located in :: Bay19
  • Located in :: New Haven
  • Located in :: On view
  • Located in :: YCBA, 401, Bay19
  • Located in :: Yale Center for British Art
  • Object type :: painting
  • Subject Concept :: animal art
  • Subject Concept :: autumn
  • Subject Concept :: boy
  • Subject Concept :: breeches
  • Subject Concept :: buckles
  • Subject Concept :: child
  • Subject Concept :: clouds
  • Subject Concept :: coat
  • Subject Concept :: fence
  • Subject Concept :: grasses
  • Subject Concept :: horse (animal)
  • Subject Concept :: lake
  • Subject Concept :: landscape
  • Subject Concept :: leisure
  • Subject Concept :: morning
  • Subject Concept :: sky
  • Subject Concept :: stockings
  • Subject Concept :: trees
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  • ...
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  • Yale Center for British Art, Paul Mellon Collection
?:PX_has_main_representation
?:label
  • Pumpkin with a Stable-lad
?:type