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  • Alternate title :: Canal Study
  • Alternate title :: Sketch for the lock on the Sour
  • Bibliograpic reference :: Basil Taylor, Constable, paintings, drawings and watercolours;, Phaidon, London, UK, 1973, p. 207, note 49, no. 131, NJ18 C74 T39 + (YCBA)
  • Bibliograpic reference :: Constable's oil sketches, 1809-29, the Maria Bicknell years, Salander-O'Reilly Galleries, LLC, New York, 2007, pp. 49, 62, pl. no. 8, fig. 39, NJ18 C74 C78 2007 + (YCBA)
  • Bibliograpic reference :: Exhibition of paintings by John Constable, 1776-1837, 8th July to 30th August, 1952 at the Guildhall Art Gallery., The Guildhall Art Gallery, London, 1952, p. 5, no. 19, NJ18 C74 E95 1952 (YCBA)
  • Bibliograpic reference :: George Dunlop Leslie, John Constable, R.A., Art Journal, Virtue, London, January 1903, p. 6, Available online at British Periodicals II , Article retrieved from British Periodicals II
  • Bibliograpic reference :: Graham Reynolds, John Constable, R.A. (1776-1837), an exhibition : paintings, drawings, watercolors, mezzotints, Salander-O'Reilly Galleries, LLC, New York, 1988, p. 41, pl. 14, NJ18 C74 R497 (YCBA)
  • Bibliograpic reference :: Graham Reynolds, The later paintings and drawings of John Constable, Yale University Press, New Haven, CT, 1984, p. 64, no. 20.91, p. 206, NJ18 C74 R485 + (YCBA)
  • Bibliograpic reference :: Ian St. John, Dedham : Constable country, Suffolk Walker, East Bergholt, 2005, p. 17, fig. no. 24, V 2535 (YCBA)
  • Bibliograpic reference :: John Constable, a selection of paintings from the Collection of Mr. and Mrs. Paul Mellon., National Gallery of Art, Washington, DC, 1969, p. 36-37, no. 33, NJ18 C74 U5 (YCBA)
  • Bibliograpic reference :: Leslie Parris, The Later Paintings and Drawings of John Constable, Book Review, Burlington Magazine, Vol. 127, No.984, March 1985, p. 165, N1 B87 + (YCBA)
  • Bibliograpic reference :: Leslie Parris, The Tate Gallery Constable collection, a catalogue, Tate Britain, London, UK, 1981, pp. 101-02, fig. 2, NJ18 C74 P374 + (YCBA)
  • Bibliograpic reference :: Malcolm Cormack, A Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 58-59, N590.2 A83 (YCBA)
  • Bibliograpic reference :: Malcolm Cormack, A concise catalogue of paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 58-59, N590.2 A83 (YCBA)
  • Bibliograpic reference :: Malcolm Cormack, Constable, Cambridge University Press, Cambridge, UK & New York, NY, 1986, pp. 106-9, 168.., pl. 102, NJ18 C74 C75 OVERSIZE (YCBA)
  • Bibliograpic reference :: Michael Rosenthal, Constable, Thames and Hudson, London, UK, 1987, p. 137, fig. 130, NJ18 C74 R683 (YCBA)
  • Bibliograpic reference :: Michael Rosenthal, Constable, the painter and his landscape, Yale University Press, New Haven, CT, 1983, pp. 160-63, fig. 199, NJ18 C74 R68 OVERSIZE (YCBA)
  • Bibliograpic reference :: Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 28 (v.1), no. 89, ND466 R68 1964/65 (YCBA) , Also available on Microfiche: Fiche B214 (YCBA)
  • Bibliograpic reference :: Paul Arthur Cheramy, La collection Cheramy, catalogue raisonné précédé d'études sur les maitres principaux de la collection, R. Piper et Cie, Munich, 1908, No. 48, NJ18 C42328 A12 M45+ (LSF)
  • Bibliograpic reference :: Peter L. Donhauser, Salander-O'Reilly Galleries, New York ; Exhibtiion, ART News, vol. 87, October 1988, p. 174, N1 A6 OVERSIZE (HAAS)
  • Bibliograpic reference :: Robert Hoozee, L'opera completa di Constable, 98, Rizzoli, Milano, Italy, 1979, p. 112, no. 257, NJ18 C74 A12 +H66 (YCBA)
  • Bibliograpic reference :: Robert Hoozee, L'opera completa di Constable, 98, Rizzoli, Milano, Italy, 1979, p. 112, no. 257, NJ18 C74 A12 H66 + (YCBA)
  • Bibliograpic reference :: The catalogue of a centenary memorial exhibition of John Constable, his origins and influence : illustrating the various periods of his work, also the work of his predecessors, and his influence on the art of his successors : 21st April to 29th May, 1937, held at Messrs. Wildenstein's Galleries, Wildenstein Galleries, London, 1937, p. 29, no. 47, NJ18 C74 T87 (YCBA)
  • Bibliograpic reference :: Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon, [exhibition at] Yale University Art Gallery, April 15-June 20, 1965., vol. 1, W. Clowes and sons, , 1965, p. 15 (v.1), no. 51, ND466 Y35 (YCBA)
  • Bibliograpic reference :: Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon, [exhibition at] Yale University Art Gallery, April 15-June 20, 1965., vol. 1, W. Clowes and sons, New Haven, 1965, p. 15 (v.1), no. 51, ND466 Y35 (YCBA)
  • Dimension height :: 13.3cm
  • Dimension width :: 18.7cm
  • Exhibition :: John Constable (1776-1837)
  • Exhibition :: John Constable - 20 Years of Oil Sketches (1809-1829)
  • Exhibition :: John Constable - A Selection of Paintings from the Collection of Mr. and Mrs. Paul Mellon
  • Exhibition :: Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon
  • Exhibition :: The Critique of Reason : Romantic Art, 1760–1860
  • Exhibition :: Yale University Art Gallery 2015 - 2016
  • Located in :: New Haven
  • Located in :: Not on view
  • Located in :: YCBA, 003, Sc 29a
  • Located in :: Yale Center for British Art
  • Object type :: painting
  • Subject Concept :: boats
  • Subject Concept :: brushstrokes
  • Subject Concept :: building
  • Subject Concept :: cityscape
  • Subject Concept :: figures
  • Subject Concept :: landscape
  • Subject Concept :: lock
  • Subject Concept :: people
  • Subject Concept :: yellow
  • Subject Place :: Dedham
  • Subject Place :: England
  • Subject Place :: Essex
  • Subject Place :: Europe
  • Subject Place :: United Kingdom
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  • ...
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  • Yale Center for British Art, Paul Mellon Collection
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?:label
  • Dedham Lock
?:type