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  • Constable's paintings of Hampstead Heath from approximately 1819 on represent a radical departure from the kind of landscape exemplified by views in the Stour Valley, where the artist felt literally and figuratively at home. The uncultivated, elevated heath, exposed and windy, an aerie from which to gaze at the great and equally unagricultural metropolis below, was a place of sand and gravel pits, a place of relative desolation, of sticks and gorse, of burning off, a condition of land, it was feared, to which cultivated pasture might easily revert should it be left fallow or abandoned, a primitive condition from which it is not difficult to imagine Constable lifting his gaze to trace and observe the casting of broad shadows over the heath's uneven contours by clouds scudding overhead. For it was this landscape, not so much the farms of Suffolk, that first inspired Constable's sustained study of the weather and the building of a repertoire of skies from which to borrow in the larger studio landscapes.
?:PX_curatorial_comment
  • Constable's paintings of Hampstead Heath from approximately 1819 on represent a radical departure from the kind of landscape exemplified by views in the Stour Valley, where the artist felt literally and figuratively at home. The uncultivated, elevated heath, exposed and windy, an aerie from which to gaze at the great and equally unagricultural metropolis below, was a place of sand and gravel pits, a place of relative desolation, of sticks and gorse, of burning off, a condition of land, it was feared, to which cultivated pasture might easily revert should it be left fallow or abandoned, a primitive condition from which it is not difficult to imagine Constable lifting his gaze to trace and observe the casting of broad shadows over the heath's uneven contours by clouds scudding overhead. For it was this landscape, not so much the farms of Suffolk, that first inspired Constable's sustained study of the weather and the building of a repertoire of skies from which to borrow in the larger studio landscapes.
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  • Alternate title :: Hampstead Heath
  • Bibliograpic reference :: Algernon Graves, Century of Loan Exhibitions 1813-1912, 5 v., London, 1913 - 1915, vol. 1, p. 199, Grosvenor Gallery 1889 no. 292, N5051 G73 OVERSIZE (YCBA)
  • Bibliograpic reference :: Duncan Robinson, Paul Mellon: a Cambridge tribute, , The Fitzwilliam Museum, Cambridge [England], 2007, pp. 31, 52, N5220 M552 P36 2007 (YCBA)
  • Bibliograpic reference :: Graham Reynolds, The later paintings and drawings of John Constable, Yale University Press, New Haven, CT, 1984, pp. 110-11(v.1), no. 22.49, pl. 370 (v.2), NJ18 C74 R485 + (YCBA)
  • Bibliograpic reference :: John Baskett, Paul Mellon's legacy, a passion for British art : masterpieces from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 2007, p. 288, no. 99, ol. 99, N5220 M552 P38 2007 OVERSIZE (YCBA)
  • Bibliograpic reference :: Malcolm Warner, The Paul Mellon Bequest : treasures of a lifetime, , Yale Center for British Art, New Haven, CT, 2001, p. 35, N5247 M385 P28 2001 (YCBA)
  • Bibliograpic reference :: Paul Mellon's Legacy, a passion for British art. [large print labels], Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 +P381 2007, Mellon Shelf (YCBA)
  • Bibliograpic reference :: Paul Mellon's legacy, a passion for British art. [large print labels], Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 +P381 2007, Mellon Shelf (YCBA)
  • Dimension height :: 27.0cm
  • Dimension width :: 32.1cm
  • Exhibition :: 2016 Installation YCBA - 401
  • Exhibition :: An American's Passion for British Art - Paul Mellon's Legacy
  • Exhibition :: Paul Mellon - A Cambridge Tribute
  • Exhibition :: The Critique of Reason : Romantic Art, 1760–1860
  • Exhibition :: The Paul Mellon Bequest : Treasures of a Lifetime
  • Exhibition :: Yale University Art Gallery 2015 - 2016
  • Located in :: 401
  • Located in :: Bay21
  • Located in :: New Haven
  • Located in :: On view
  • Located in :: YCBA, 401, Bay21
  • Located in :: Yale Center for British Art
  • Object type :: painting
  • Subject Concept :: buildings
  • Subject Concept :: cows
  • Subject Concept :: flames
  • Subject Concept :: grasses
  • Subject Concept :: green (color)
  • Subject Concept :: landscape
  • Subject Concept :: people
  • Subject Concept :: rural
  • Subject Concept :: sky
  • Subject Concept :: smoke
  • Subject Place :: England
  • Subject Place :: Europe
  • Subject Place :: Greater London
  • Subject Place :: Hampstead
  • Subject Place :: London
  • Subject Place :: United Kingdom
?:PX_display_wrap
  • ...
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  • Yale Center for British Art, Paul Mellon Collection
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?:label
  • Hampstead Heath, with a Bonfire
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