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  • Alternate title :: The Camden Town Murder
  • Alternate title :: The Camden Town Murder (also known as What Shall We Do about the Rent?)
  • Alternate title :: The Camden Town Murder, or What Shall We Do for the Rent?
  • Bibliograpic reference :: Acquisitions : The First Decade 1977-1986, Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1986, pp. 9, 19, no. 51, fig. 11, N590.2 A7 OVERSIZE (YCBA)
  • Bibliograpic reference :: Brian Allen, Towards a modern art world, Vol. 1, The Paul Mellon Centre for Studies in British Art, New Haven, 1995, fig. 34, N6420 T68 1995 (YCBA)
  • Bibliograpic reference :: British Modernist art, 1905-1930, November 14, 1987-January 9, 1988., Hirschl & Adler Galleries, Inc., New York, N.Y., 1987, pp. 8-9, 43, no. 37, N6768.5 M63 B75 1987 (YCBA)
  • Bibliograpic reference :: Charles Harrison, English art and modernism, 1900-1939, Allen Lane, London Indiana University Press, 1981, p. 351, no. 21, N6768 H37 1981 (YCBA)
  • Bibliograpic reference :: Colin Wiggins, Post-impressionism, Dorling Kindersley, London New York, 1993, p. 51, ND547.5 P6 W54 1993 (YCBA)
  • Bibliograpic reference :: D. Corbett, Gross Material Facts: Sexuality, Identity and the City in Walter Sickert, Art History, v. 21, March 1998, pp. 45-64, N1 A75 (YCBA) , Also available online (Orbis).
  • Bibliograpic reference :: David Bindman, The History of British Art, Yale Center for British Art, New Haven, CT, 2008, pp. 85-86 (v.3), fig. 54, N6761 +H57 2008 Oversize (YCBA)
  • Bibliograpic reference :: David Bindman, The History of British Art, Yale Center for British Art, New Haven, Conn., 2008, pp. 85-86 (v.3), fig. 54, N6761 H57 2008 + Oversize (YCBA)
  • Bibliograpic reference :: Duncan Robinson, Acquisitions : The First Decade 1977 - 1986, , Burlington Magazine, vol. 128, October 1986, pp. 9, 19, no. 51, fig. 11, N1 B87 128:3 OVERSIZE (YCBA)
  • Bibliograpic reference :: Edwardian opulence, British art at the dawn of the twentieth century, Yale University Press, New Haven, 2013, p. 357, cat. no. 95, N6768 .E39 2013 OVERSIZE (YCBA)
  • Bibliograpic reference :: In honor of Paul Mellon, collector and benefactor, Essays, National Gallery of Art, Washington, DC & Hanover, NH, 1986, p. 264, fig. 5, N7442.2 M455 1986 (YCBA)
  • Bibliograpic reference :: In honor of Paul Mellon, collector and benefactor, Essays, Patrick Noon, Washington, DC & Hanover, NH, 1986, p. 264, fig. 5, N7442.2 M455 1986 (YCBA)
  • Bibliograpic reference :: James Merlin Ingli, London and Amsterdam Sickert, Burlington Magazine, v. 135,n0.1080, March 1993, pp. 231-33, N1 B87 + (YCBA) , Available online in JSTOR.
  • Bibliograpic reference :: John Baskett, Paul Mellon's legacy, a passion for British art : masterpieces from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 2007, p. 32, fig. 5, N5220 M552 P38 2007 OVERSIZE (YCBA)
  • Bibliograpic reference :: Jon Shirland, The Pill in the Jam of Modern Art, Masculinity, Visual Pleasure and Social Positioning in Walter Sickert's Camden Town Murder Series, Object, no. 2, 1999/2000, p. 58, fig. 7, N7475 )35 (YCBA)
  • Bibliograpic reference :: Julia Marciari-Alexander, This other Eden, paintings from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1998, p. 174, no. 71, ND1314.3 Y36 1998 (YCBA)
  • Bibliograpic reference :: Lisa Tickner, Modern life & modern subjects, British art in the early twentieth century, Yale University Press, New Haven, Conn., 2000, no. 8, ND468 T53 2000 (YCBA)
  • Bibliograpic reference :: Lucien Pissarro, Lucien Pissarro et le post-impressionisme anglais, Harold Gilman, Spencer F. Gore, Lucien Pissarro, Walter R. Sickert : Musâee de Pontoise, 28 novembre 1998-7 mars 1999, Chãateau-Musâee de Dieppe, 27 mars 1999-6 juin 1999, Musée de Pontoise, Pontoise, France, 1998, NJ18 P681 L83 1008 (YCBA)
  • Bibliograpic reference :: Lucy Merello Peterson, The women who Inspired London Art: The Avico Sisters and Other Models of the Early 20th Century, Pen and Sword Books, Barnsley, South Yorkshire, p. 66, N7574.5.G7 P47 2018 (LC) (YCBA)
  • Bibliograpic reference :: Luke Herrmann, Nineteenth century British painting, Giles de la Mare, London, 2000, p. 391, no. 237, ND467 H47 2000 (YCBA)
  • Bibliograpic reference :: Prof. David Bindman, The History of British art, Yale Center for British Art, New Haven, Conn., 2008, pp. 85-86 (v.3), fig. 54, N6761 H57 2008 + Oversize (YCBA)
  • Bibliograpic reference :: Rebecca Daniels, Walter Sickert and Urban Realism, Ordinary Life and Tragedy in Camden Town, British Art Journal, vol. 3, no. 2, Spring 2002, pp. 58-69, N6761 B74 + (YCBA)
  • Bibliograpic reference :: Rebecca Daniels, Walter Sickert: London, Burlington Magazine, vol. 150, January 2008, p. 45-6, N1 B87 + (YCBA) , Available online through JSTOR
  • Bibliograpic reference :: Richard Cork, The Very Painting of Our Fear, Walter Sickert's short-lived obsession with death and the "gross-material facts", TLS, the Times Literary Supplement, Issue no. 5293, September 10, 2004, p. 17, Film S748 (SML) , Also Available Online in TLS Historical Archive
  • Bibliograpic reference :: Richard Shone, Walter Sickert, Phaidon, Oxford, 1988, pl. 38, NJ18 Si12 S56 (YCBA)
  • Bibliograpic reference :: Robert Upstone, Modern painters, the Camden Town Group, Tate Publishing, London, 2008, no. 68, ND468.5.C35 M63 2008 + (YCBA)
  • Bibliograpic reference :: Samuel Shaw, Narrative and Anti-Narrative [Website], Accessed March 2, 2016, p. 7 of 13, Avaialble Online , http://www.tate.org.uk/research/publications/in-focus/the-dolls-house-william-rothenstein/narrative-and-anti-narrative
  • Bibliograpic reference :: Sickert Paintings, Royal Academy of Arts, London & New Haven, 1992, no. 69, NJ18 Si12 B372 1992 (YCBA)
  • Bibliograpic reference :: Sickert paintings, Royal Academy of Arts, London & New Haven, 1992, no. 69, NJ18 Si12 B372 1992 (YCBA)
  • Bibliograpic reference :: Timothy Hyman, Sickert's Evasive Blur, from the fudged feature to a weird discovery, TLS, the Times Literary Supplement, Issue no. 4683, January 1, 1983, p. 14, Film S748 (SML) , Also Available Online in TLS Historical Archive
  • Bibliograpic reference :: W. Archer, Walter Sickert: The High and the Low, Apollo, Vol. 104, No.173, July 1976, pp. 73-74, N1 A54 + (YCBA)
  • Bibliograpic reference :: Wendy Baron, Sickert, Phaidon, London, 1973, pp. 108, 348, no. 269, fig. 192, NJ18 Si12 +B37 Oversize (YCBA)
  • Bibliograpic reference :: Wendy Baron, Sickert, Phaidon, London, 1973, pp. 108, 348, no. 269, fig. 192, NJ18 Si12 B37 + OVERSIZE (YCBA)
  • Bibliograpic reference :: Wendy Baron, The Camden Town Group, Scholar Press, London, 1979, pp. 278-79, 281, no. 106, ND468.5 C35 B376 + (YCBA)
  • Dimension height :: 25.6cm
  • Dimension width :: 35.6cm
  • Exhibition :: 2016 Installation YCBA - 201
  • Exhibition :: 20th Century Paintings and Sculpture
  • Exhibition :: British Painters and Sculptors 1905 to 1930
  • Exhibition :: Edwardian Opulence
  • Exhibition :: Revisiting Traditions [BAC 20th century painting & sculpture]
  • Exhibition :: This Other Eden : British Paintings from the Paul Mellon Collection at Yale
  • Exhibition :: Twentieth Century British Art Featuring Twenty Artists
  • Exhibition :: Walter Richard Sickert (RA)
  • Exhibition :: Walter Sickert - The Camden Town Nudes
  • Located in :: 201
  • Located in :: Bay S06
  • Located in :: New Haven
  • Located in :: Not on view
  • Located in :: On view
  • Located in :: YCBA, 201, Bay S06
  • Located in :: Yale Center for British Art
  • Object type :: painting
  • Subject Concept :: Impressionist
  • Subject Concept :: bed
  • Subject Concept :: brushstrokes
  • Subject Concept :: costume
  • Subject Concept :: historical subject
  • Subject Concept :: interior
  • Subject Concept :: man
  • Subject Concept :: nude
  • Subject Concept :: prostitute
  • Subject Concept :: wallpaper
  • Subject Concept :: woman
  • Subject Event :: death
  • Subject Event :: murder
  • Subject Place :: Camden
  • Subject Place :: Camden Town
  • Subject Place :: England
  • Subject Place :: Greater London
  • Subject Place :: United Kingdom
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  • Yale Center for British Art, Paul Mellon Fund
?:label
  • The Camden Town Murder (also known as What Shall We Do about the Rent?)
  • The Camden Town Murder, or What Shall We Do for the Rent?
?:type