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  • Bibliograpic reference :: Acquisitions : The First Decade 1977-1986, Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1986, p. 14, no. 24, N590.2 A7 OVERSIZE (YCBA)
  • Bibliograpic reference :: Christopher Reed, Bloomsbury rooms, modernism, subculture, and domesticity, Yale University Press, New Haven, Conn., 2004, pp. 154-55, NX543 R44 2004 + (YCBA)
  • Bibliograpic reference :: Diane Dillon, Looking and Difference in the Abstract Portraits of Charles Demuth and Duncan Grant, The Yale Journal of Criticism, Vol. 11, No. 1, 1998, pp. 39-51, PN80 Y35 (SML) , Also available online (Orbis)
  • Bibliograpic reference :: Douglas Blair Turnbaugh, Duncan Grant and the Bloomsbury Group, L. Stuart, Secaucus, N.J., 1987, p. 56, pl. 24, NJ18 G74 T87 (YCBA)
  • Bibliograpic reference :: Duncan Grant, a 90th birthday exhibition of paintings, Scottish National Gallery of Modern Art, Edinburgh, 1975, p. 5, NJ18 G74 A12 1975 (YCBA)
  • Bibliograpic reference :: Duncan Robinson, Acquisitions : The First Decade 1977 - 1986, , Burlington Magazine, vol. 128, October 1986, p. 14, no. 24, N1 B87 128:3 OVERSIZE (YCBA)
  • Bibliograpic reference :: Elisabeth Fairman, Doomed youth, the poetry and the pity of the First World War : an exhibition organized by Elisabeth Fairman., Yale Center for British Art, [New Haven, 1999, p. 12, NC1849 W27 F25 1999 (YCBA)
  • Bibliograpic reference :: Gretchen Gerzina, A room of their own, the Bloomsbury artists in American collections, Herbert F. Johnson Museum of Art, Ithaca, NY, 2008, p. 176, fig. 70, ND468.5.B55 R66 2008 (YCBA)
  • Bibliograpic reference :: Julia Marciari-Alexander, This other Eden, paintings from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1998, pp. 171, 186, no. 77, ND1314.3 Y36 1998 (YCBA)
  • Bibliograpic reference :: Leah Dickerman, Inventing Abstraction, 1910-1925, how a radical idea changed modern art, Museum of Modern Art, New York, 2012, pp. 183, 187, no. 175, N6494.A2 D53 2012 OVERSIZE (YCBA)
  • Bibliograpic reference :: Richard Cork, A bitter truth, avant-garde art and the Great War, Yale University Press, New Haven, CT, 1994, p. 79, N9150 C67 1994 (YCBA)
  • Bibliograpic reference :: Richard Shone, Bloomsbury portraits, Vanessa Bell, Duncan Grant, and their circle, Phaidon, Oxford, 1993, pp. 138-44, ND 468 S56 1993 (YCBA)
  • Bibliograpic reference :: Richard Shone, The Charleston artists, Vanessa Bell, Duncan Grant and their friends, The Charleston Trust, [London ?], 1984, NJ18 B3907 S55 (YCBA)
  • Bibliograpic reference :: Richard Shone, The art of Bloomsbury, Roger Fry, Vanessa Bell and Duncan Grant, Tate Publishing, London, 1999, p. 152, fig. 103, ND468.5 B55 S56 1999 + (YCBA)
  • Bibliograpic reference :: Simon Watney, English post-impressionism, Studio Vista, London [Westfield, N.J.?], 1980, p. 98, ND468.5 P6 W38 (YCBA)
  • Bibliograpic reference :: Simon Watney, The art of Duncan Grant, Murray, London, 1990, p. 42, NJ18 G74 W27 1990 (YCBA)
  • Bibliograpic reference :: The Omega Workshops, alliance and enmity in English art 1911-1920., Anthony d'Offay Gallery, London, 1984, no. 69, NK942 O45 O45 (YCBA)
  • Dimension height :: 54.8cm
  • Dimension width :: 29.8cm
  • Exhibition :: 2016 Installation YCBA - 201
  • Exhibition :: A Room of Their Own - The Artists of Bloomsbury in American Collections
  • Exhibition :: Inventing Abstraction
  • Exhibition :: Revisiting Traditions [BAC 20th century painting & sculpture]
  • Exhibition :: The Art of Bloomsbury : Roger Fry, Vanessa Bell and Duncan Grant
  • Exhibition :: This Other Eden : British Paintings from the Paul Mellon Collection at Yale
  • Located in :: New Haven
  • Located in :: Not on view
  • Located in :: YCBA, 007, Sc 45
  • Located in :: Yale Center for British Art
  • Object type :: painting
  • Subject Concept :: abstract art
  • Subject Concept :: memorial
  • Subject Concept :: poet
  • Subject Concept :: rectangles
  • Subject Concept :: representation
  • Subject Concept :: world war
  • Subject Event :: World War, 1914-1918
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  • ...
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  • Yale Center for British Art, Paul Mellon Fund
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  • In Memoriam: Rupert Brooke
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