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  • Alternate title :: The Stour Valley
  • Bibliograpic reference :: Ann Bermingham, Landscape and ideology, the English rustic tradition, 1740-1860, Thames and Hudson, London, 1987, pp. 119-120, fig. 52, ND1354.4 B47 1987 (YCBA)
  • Bibliograpic reference :: Basil Taylor, Constable, paintings, drawings and watercolours;, Phaidon, London, UK, 1973, p. 193, note 4, no. 4, NJ18 C74 T39 + (YCBA)
  • Bibliograpic reference :: Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 8, ND466 G67 (YCBA)
  • Bibliograpic reference :: George Dunlop Leslie, John Constable, R.A., Art Journal, Virtue, London, January 1903, p. 8, Available online at British Periodicals II , Article retrieved from British Periodicals II
  • Bibliograpic reference :: Graham Reynolds, Constable, the natural painter, Panther, St. Albans, UK, 1976, pp. 26..., NJ18 C74 R48 1976 (YCBA)
  • Bibliograpic reference :: Graham Reynolds, The early paintings and drawings of John Constable, The Paul Mellon Centre for Studies in British Art, New Haven, 1996, p. 42 (v.1), no. 2.11, Pl. 159 [v.2], NJ18 C74 R484 1996 + (YCBA)
  • Bibliograpic reference :: John Constable, a selection of paintings from the Collection of Mr. and Mrs. Paul Mellon., National Gallery of Art, Washington, DC, 1969, pp. 12-13, no. 1, NJ18 C74 U5 (YCBA)
  • Bibliograpic reference :: Leslie Parris, Constable, Tate Publishing, London, UK, 1991, pp. 55, 58..., no. 4, pl. 4, NJ18 C74 P372 1991 + (YCBA)
  • Bibliograpic reference :: Leslie Parris, Constable, paintings, watercolours & drawings, Tate Publishing, London, UK, 1976, p. 50, no. 34, fig. 34b/w, NJ18 C74 P37 + (YCBA)
  • Bibliograpic reference :: Leslie Parris, Constable, pictures from the exhibition, Tate Publishing, London, UK, 1991, p. 13, pl. 3, NJ18 C74 P373 1991 (YCBA)
  • Bibliograpic reference :: Louis Hawes, Presences of Nature : British Landscape, 1780-1830, , Yale Center for British Art, New Haven, CT, 1982, pp. 62, 169-70, no. IV.21, pl. 51, ND1354.4 H38 (YCBA)
  • Bibliograpic reference :: Louis Hawes, Presences of nature, British landscape, 1780-1830, Yale Center for British Art, New Haven, CT, 1982, pp. 62, 169-70, no. IV.21, pl. 51, ND1354.4 H38 (YCBA)
  • Bibliograpic reference :: Luke Herrmann, The Paul Mellon Collection at Burlington House, Connoisseur, v. 157, no. 634, December 1964, p. 221, N1 C75 + OVERSIZE (YCBA) , Another copy available in YCBA Vertical File Collection: v 2334
  • Bibliograpic reference :: Malcolm Cormack, A Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 56-57, N590.2 A83 (YCBA)
  • Bibliograpic reference :: Malcolm Cormack, A concise catalogue of paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 56-57, N590.2 A83 (YCBA)
  • Bibliograpic reference :: Malcolm Cormack, Constable, Cambridge University Press, Cambridge, UK & New York, NY, 1986, pp. 2, 41, 43..., pl. 33, NJ18 C74 C75 OVERSIZE (YCBA)
  • Bibliograpic reference :: Michael Rosenthal, Constable, Thames and Hudson, London, UK, 1987, pp. 35-39, figs. 22, 23, NJ18 C74 R683 (YCBA)
  • Bibliograpic reference :: Michael Rosenthal, Constable, the painter and his landscape, Yale University Press, New Haven, CT, 1983, pp. 28, 30, fig. 25, NJ18 C74 R68 OVERSIZE (YCBA)
  • Bibliograpic reference :: Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 19 [v.1], no. 60, ND466 R68 1964/65 (YCBA) , Also available on Microfiche: Fiche B214 (YCBA)
  • Bibliograpic reference :: Painting in England 1700-1850, collection of Mr. & Mrs. Paul Mellon., Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 71 (v.1), no. 87, pl. 48 (.v2), ND466 V57 v.1-2 (YCBA)
  • Bibliograpic reference :: Robert Hoozee, L'opera completa di Constable, 98, Rizzoli, Milano, Italy, 1979, pp. 89-90, no. 17, NJ18 C74 A12 +H66 (YCBA)
  • Bibliograpic reference :: Robert Hoozee, L'opera completa di Constable, 98, Rizzoli, Milano, Italy, 1979, pp. 89-90, no. 17, NJ18 C74 A12 H66 + (YCBA)
  • Bibliograpic reference :: Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon, [exhibition at] Yale University Art Gallery, April 15-June 20, 1965., vol. 1, W. Clowes and sons, , 1965, p. 7 (v.1), no. 24, ND466 Y35 (YCBA)
  • Bibliograpic reference :: Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon, [exhibition at] Yale University Art Gallery, April 15-June 20, 1965., vol. 1, W. Clowes and sons, New Haven, 1965, p. 7 (v.1), no. 24, ND466 Y35 (YCBA)
  • Dimension height :: 33.3cm
  • Dimension width :: 41.6cm
  • Exhibition :: 2016 Installation YCBA - 401
  • Exhibition :: John Constable (Tate)
  • Exhibition :: John Constable - A Selection of Paintings from the Collection of Mr. and Mrs. Paul Mellon
  • Exhibition :: Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon
  • Exhibition :: Presences of Nature - British Landscape 1780-1830
  • Located in :: New Haven
  • Located in :: Not on view
  • Located in :: YCBA, 006, Cab3 shelf-6
  • Located in :: Yale Center for British Art
  • Object type :: painting
  • Subject Concept :: brown
  • Subject Concept :: field
  • Subject Concept :: figure
  • Subject Concept :: hill
  • Subject Concept :: landscape
  • Subject Concept :: man
  • Subject Concept :: meadow
  • Subject Concept :: sitting
  • Subject Concept :: sky
  • Subject Concept :: towns
  • Subject Concept :: trees
  • Subject Concept :: village
  • Subject Concept :: woods
  • Subject Place :: Dedham
  • Subject Place :: England
  • Subject Place :: Essex
  • Subject Place :: United Kingdom
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  • ...
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  • Yale Center for British Art, Paul Mellon Collection
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?:label
  • Dedham Vale
?:type