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  • Bibliograpic reference :: British Art at Yale, Apollo, v.105, no. 182, April 1977, p. 291, fig. 11, N5220 M552 A7 1977 OVERSIZE (YCBA) , Published as April 1977 issue of Apollo; all of the articles may also be found in bound Apollo Volume [N1 A54 105:2 +]
  • Bibliograpic reference :: Louis Hawes, Presences of nature, British landscape, 1780-1830, Yale Center for British Art, New Haven, CT, 1982, pp. 132, 176, no. IV.34, pl. 108, ND1354.4 H38 (YCBA)
  • Bibliograpic reference :: Luke Herrmann, The Paul Mellon Collection at Burlington House, Connoisseur, v. 157, no. 634, December 1964, p. 221, N1 C75 + OVERSIZE (YCBA) , Another copy available in YCBA Vertical File Collection: v 2334
  • Bibliograpic reference :: Malcolm Cormack, A Selective Promenade, Apollo, v.105, no. 182, April 1977, p. 291, fig. 11, N1 A54 + (YCBA) , Another copy of this article may be found in a separately bound and catalogued copy of this issue located on the Mellon Shelf [call number : N5220 M552 A7 1977 + (YCBA)]
  • Bibliograpic reference :: Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, pp. 52-3 (v.1), no. 191, pl. 18, ND466 R68 1964/65 (YCBA) , Also available on Microfiche: Fiche B214 (YCBA)
  • Bibliograpic reference :: Painting in England 1700-1850, collection of Mr. & Mrs. Paul Mellon., Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 101 (v.1), no. 160, pl. 64, ND466 V57 v.1-2 (YCBA)
  • Bibliograpic reference :: Robert Hoozee, British vision : observation and imagination in British art, 1750-1950, , Mercatorfonds Museum voor Schone Kunsten, Brussels , Ghent, 2007, pp. 205, 212, no. 134, fig. 134, N6767 B78 2007 + OVERSIZE (YCBA)
  • Bibliograpic reference :: Robert Hoozee, British vision, observation and imagination in British art, 1750-1950, Mercatorfonds Museum voor Schone Kunsten, Brussels , Ghent, 2007, pp. 205, 212, no. 134, fig. 134, N6767 B78 2007 + OVERSIZE (YCBA)
  • Bibliograpic reference :: Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon, [exhibition at] Yale University Art Gallery, April 15-June 20, 1965., vol. 1, W. Clowes and sons, , 1965, p. 18 (v.1), no. 62, pl. 18, ND466 Y35 (YCBA)
  • Bibliograpic reference :: Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon, [exhibition at] Yale University Art Gallery, April 15-June 20, 1965., vol. 1, W. Clowes and sons, New Haven, 1965, p. 18 (v.1), no. 62, pl. 18, ND466 Y35 (YCBA)
  • Dimension height :: 91.4cm
  • Dimension width :: 71.1cm
  • Exhibition :: British Vision - Observation and Imagination in British Art
  • Exhibition :: Francis Danby ARA
  • Exhibition :: Gaspard Dughet
  • Exhibition :: Gentle, Rural and Sublime - English Landscape Paintings and Watercolors, 1750-1850
  • Exhibition :: Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon
  • Exhibition :: Presences of Nature - British Landscape 1780-1830
  • Located in :: New Haven
  • Located in :: Not on view
  • Located in :: Yale Center for British Art
  • Object type :: painting
  • Subject Concept :: bonnets (hats)
  • Subject Concept :: book
  • Subject Concept :: building
  • Subject Concept :: cave
  • Subject Concept :: forest
  • Subject Concept :: hill
  • Subject Concept :: landscape
  • Subject Concept :: man
  • Subject Concept :: plants
  • Subject Concept :: reading
  • Subject Concept :: rocks
  • Subject Concept :: town
  • Subject Concept :: trees
  • Subject Concept :: women
  • Subject Concept :: woods
  • Subject Place :: Clifton
  • Subject Place :: Clifton Gorge
  • Subject Place :: England
  • Subject Place :: Lancashire
  • Subject Place :: United Kingdom
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  • Yale Center for British Art, Paul Mellon Collection
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  • Landscape near Clifton
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