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  • Bibliograpic reference :: A Description of the Pictures : The Fall of Babylon, Belshazzar's Feast, and The Destruction of Pompeii & Herculaneum Painted by John Martin : Now Exhibiting at Tate Britain, London, Tate Britain, London, 2011, pp. 3-4, V 2374 (YCBA)
  • Bibliograpic reference :: Andrew Hemingway, Landscape Between Ideology and the Aesthetic : Marxist Essays on British Art and Art Theory, 1750-1850, Leiden, 2017, p. 161, fig. 2, HX521 H46 2017 (YCBA)
  • Bibliograpic reference :: Anne Hollander, Moving pictures, Alfred A. Knopf, New York, 1989, pp. 283-284, 286-287, figs. 10, 12, PN1995 H614 1989
  • Bibliograpic reference :: Barbara C. Morden, John Martin : Apocalypse Now!, , Northumbria University Press, Newcastle Upon Tyne, 2010, pp. 9, 12-14, 21-26, 39-40, 64-65, 91, NJ18 M39 +M67 2010 Oversize (YCBA)
  • Bibliograpic reference :: Charles Robert Leslie, Autiobiographical Recollections, EP Publishing, Ltd., Yorkshire, Eng., 1978, p. 110, NJ18 L5772 A3 1978 (YCBA)
  • Bibliograpic reference :: Christine Alexander, "The Burning Clime" : Charlotte Bronte and John Martin, Nineteenth-Century Literature, vol. 50, Berkeley, Calif., December 1995, pp. 288-289, 291-292, 298, fig. 1, available online via JSTOR
  • Bibliograpic reference :: Christine Alexander, "The Burning Clime" : Charlotte Bronte and John Martin, Nineteenth-Century Literature, vol. 50, Berkeley, Calif., December 1995, pp. 288-289, 291-292, 298, fig. 1, la105 N622 (YCBA)
  • Bibliograpic reference :: Christopher Johnstone, John Martin, Academy Editions, London, 1974, pp. 10, 14-17, 37, NJ18 M39 +J65 Oversize (YCBA)
  • Bibliograpic reference :: Christopher Johnstone, John Martin, Master of the Mezzotint, 1789-1854, an exhibition of mezzotints, 28 January-15th February 1974 at Alexander Postan Fine Art., Alexander Postan Fine Art, London, 1974, p. 3, NJ18 M39 J64 (YCBA)
  • Bibliograpic reference :: Edmund Burke, A Philosophical Enquiry into the Origins of Our Ideas of the Sublime and Beautiful, University of Notre Dame Press, Notre Dame, Ind., 1968, pp. cxiii, cxvi, BH181 B87 1968 (YCBA)
  • Bibliograpic reference :: Eric Wargo, Infinite Recess : Perspective and Play in Magritte's La Condition Humaine, Art History, vol. 25, February 2002, p. 63, N1 A75 (YCBA)
  • Bibliograpic reference :: Gillen D'Arcy Wood, The Shock of the Real : Romanticism and Visual Culture, 1760-1860, , Palgrave Macmillan, New York, N.Y., 2001, pp. 92-93, fig 2.3, NX452.5 R64 W66 2001 (YCBA)
  • Bibliograpic reference :: J. Dustin Wees, Darkness Visible : The Prints of John Martin, , Sterling and Francine Clark Art Institute, Williamstown, Mass., 1986, pp. 2-4, 8, 13, 30, 37, NJ18 M39 W44 (YCBA)
  • Bibliograpic reference :: Jean Seznec, John Martin en France, Faber & Faber, London, 1964, pp. 11-12, NJ18 M39 S49 (YCBA)
  • Bibliograpic reference :: John Martin : Apocalypse, Tate Britain, London, 2011, p. 11, V 2373 (YCBA)
  • Bibliograpic reference :: John Martin, Belshazzar's Feast 1820 : The Tate Gallery, February and March 1989, Tate Publishing, London, 1989, pp. 1-8, NJ18 M39 A15 B4 1989 (YCBA)
  • Bibliograpic reference :: John Martin, John Martin, 1789-1854 : Loan Exhibition of Oil Paintings, Watercolours, Prints Held 30th Oct.-21st Nov. 1975 at Hazlitt, Gooden & Fox, Hazlitt, Gooden & Fox, Ltd., London, 1975, p. 30, NJ18 M39 H39 (YCBA)
  • Bibliograpic reference :: John Martin, John Martin, Lampoon House, Tokyo, 1996, pp. 4-5, 24-25, NJ18 M39 +C2613 1996 Oversize (YCBA)
  • Bibliograpic reference :: John Martin, The Illustrated Magazine of Art, vol. 3, New York, 1854, p. 344, WD 9149 (LSF)
  • Bibliograpic reference :: John Martin, The Illustrated Magazine of Art, vol. 3, New York, 1854, p. 344, available online via JSTOR
  • Bibliograpic reference :: Laing Art Gallery, John Martin, 1789-1854 : Artist, Reformer, Engineer, 3rd October-1st November 1970 Laing Art Gallery, Newcastle upon Tyne, Newcastle-upon-Tyne, 1970, pp. 5-7, NJ18 M39 +L35 Oversize (YCBA)
  • Bibliograpic reference :: Lionel Lambourne, Victorian Painting, Phaidon, London, 1999, pp. 150, 159-161, pls. 179, 188, ND192 V5 L25 1999 (YCBA)
  • Bibliograpic reference :: Martin Myrone, John Martin, apocalypse, Tate Publishing, London, 2011, pp. 17, 19, 99-108, cat. no. 29, ig. 29, NJ18.M39 A12 2011 Oversize (YCBA)
  • Bibliograpic reference :: Mary L. Pendered, John Martin, Painter : His Life and Times, , Hurst & Blackett, London, 1923, pp. 102-108, NJ18 M39 P4 1923 (YCBA)
  • Bibliograpic reference :: Morton D. Paley, The Apocalyptic Sublime, Yale University Press, New Haven, Conn., 1986, pp. 128-138, 144-145, pl. VI, ND1432 G73 P34 1986
  • Bibliograpic reference :: Ralph Hyde, Panoramania!, Trefoil Publications, London, 1988, pp. 105, 123, no. 109, N7436.5 H93 (YCBA)
  • Bibliograpic reference :: Richard Green, 'John Martin : Apocalypse,' Tate Britain, London, 21 September 2011-15 January 2012, British Art Journal, vol. 12, London, Winter 2011-2012, p. 98, N6761 +B74 Oversize (YCBA)
  • Bibliograpic reference :: Richard Green, 'John Martin : Apocalypse,' Tate Britain, London, 21 September 2011-15 January 2012, British Art Journal, vol. 12, London, Winter 2011-2012, p. 98, available online via JSTOR
  • Bibliograpic reference :: Transatlantic Romanticism : British and American art and literature, 1790/1860, University of Massachusetts Press, Amherst and Boston, 2015, pp. 122-43 and color plate section, color pl. 10, NX452.5.R64 T73 2015 (YCBA)
  • Bibliograpic reference :: William Feaver, The Art of John Martin, Clarendon Press, Oxford, 1975, pp. 43-44, 49-55, NJ18 M39 F43 (YCBA)
  • Bibliograpic reference :: William Feaver, The Revelations of John Martin, Sunday Times, London, November 26, 1972, pp. 53, 61, available online via ProQuest
  • Dimension height :: 80.0cm
  • Dimension width :: 120.7cm
  • Exhibition :: 2016 Installation YCBA - 401
  • Exhibition :: Babylon
  • Exhibition :: Darkness Visible - The Prints of John Martin
  • Exhibition :: John Martin
  • Exhibition :: Panoramania
  • Exhibition :: The Critique of Reason : Romantic Art, 1760–1860
  • Exhibition :: Thomas Cole's Journey - Atlantic Crossings
  • Located in :: New Haven
  • Located in :: Not on view
  • Located in :: YCBA, 003, Sc 41a
  • Located in :: Yale Center for British Art
  • Object type :: painting
  • Subject Concept :: Bible
  • Subject Concept :: Old Testament
  • Subject Concept :: architectural
  • Subject Concept :: chaos
  • Subject Concept :: columns (architectural elements)
  • Subject Concept :: concubines
  • Subject Concept :: courtiers
  • Subject Concept :: drinking
  • Subject Concept :: food
  • Subject Concept :: king (person)
  • Subject Concept :: lightning
  • Subject Concept :: meteorology
  • Subject Concept :: night
  • Subject Concept :: palace
  • Subject Concept :: prophet
  • Subject Concept :: religious and mythological subject
  • Subject Concept :: wives
  • Subject Event :: banquet
  • Subject Event :: death
  • Subject Event :: feast
  • Subject Event :: storm
  • Subject Place :: Babylon
  • Subject Place :: Iraq
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  • Yale Center for British Art, Paul Mellon Collection
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?:label
  • Belshazzar's Feast
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