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  • Bibliograpic reference :: Andrew Hemingway, Landscape Between Ideology and the Aesthetic : Marxist Essays on British Art and Art Theory, 1750-1850, Leiden, 2017, p. 161, fig. 2, HX521 H46 2017 (YCBA)
  • Bibliograpic reference :: Martin Myrone, John Martin, apocalypse, Tate Publishing, London, 2011, pp. 17, 19, 99-108, cat. no. 29, ig. 29, NJ18.M39 A12 2011 Oversize (YCBA)
  • Bibliograpic reference :: Transatlantic Romanticism : British and American art and literature, 1790/1860, University of Massachusetts Press, Amherst and Boston, 2015, pp. 122-43 and color plate section, color pl. 10, NX452.5.R64 T73 2015 (YCBA)
  • Dimension height :: 80.0cm
  • Dimension width :: 120.7cm
  • Exhibition :: 2016 Installation YCBA - 401
  • Exhibition :: Babylon
  • Exhibition :: Darkness Visible - The Prints of John Martin
  • Exhibition :: John Martin
  • Exhibition :: Panoramania
  • Exhibition :: The Critique of Reason : Romantic Art, 1760–1860
  • Exhibition :: Thomas Cole's Journey - Atlantic Crossings
  • Located in :: New Haven
  • Located in :: Not on view
  • Located in :: Yale Center for British Art
  • Object type :: painting
  • Subject Concept :: Bible
  • Subject Concept :: Old Testament
  • Subject Concept :: architectural
  • Subject Concept :: chaos
  • Subject Concept :: columns (architectural elements)
  • Subject Concept :: concubines
  • Subject Concept :: courtiers
  • Subject Concept :: drinking
  • Subject Concept :: food
  • Subject Concept :: king (person)
  • Subject Concept :: lightning
  • Subject Concept :: meteorology
  • Subject Concept :: night
  • Subject Concept :: palace
  • Subject Concept :: prophet
  • Subject Concept :: religious and mythological subject
  • Subject Concept :: wives
  • Subject Event :: banquet
  • Subject Event :: death
  • Subject Event :: feast
  • Subject Event :: storm
  • Subject Place :: Babylon
  • Subject Place :: Iraq
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  • ...
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  • Yale Center for British Art, Paul Mellon Collection
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  • Belshazzar's Feast
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