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  • Alternate title :: Liboya serpent seizing his prey
  • Alternate title :: Study for ' The Liboya Serpent Seizing its Prey'
  • Bibliograpic reference ::
  • Bibliograpic reference :: C. Reginald Grundy, James Ward R.A., his life and works, with a catalogue of his engravings and pictures, Otto limited, London, 1909, p. 38, no. 48, NJ18 W21 G7+ OVERSIZE (YCBA)
  • Bibliograpic reference :: Catalogue of the works of british artists placed in the gallery of the British Institution, Pall-Mall, British Institution, London, 1806, p. 11, No. 32, N5055 B7 A06+ Oversize (YCBA Rare Books)
  • Bibliograpic reference :: Christie's sale catalogue : Collection of paintings, the original works of that greatly-admired artist, James Ward : 29 May 1829, Christie's, London, 29 May 1829, Lot. 58, Not Available at Yale
  • Bibliograpic reference :: Edward John Nygren, Art of James Ward R.A. (1769-1859) [PhD Dissertation, Yale University], New Haven, CT, 1976, p. 29-38, NJ18 .W21 N95 1976A (YCBA)
  • Bibliograpic reference :: Edward John Nygren, James Ward, RA (1769-1859) : Papers and Patrons, Volume of the Walpole Society, vol. 75, 2013, pp. 265-66, no. 46, N12 W35 +A1Oversize (YCBA)
  • Bibliograpic reference :: Edward John Nygren, James Ward, RA (1769-1859) Papers and Patrons, Volume of the Walpole Society, vol. 75, 2013, pp. 265-66, no. 46, N12 W35 A1 + OVERSIZE (YCBA)
  • Bibliograpic reference :: Harry Mount, James Ward:, 'Study of a negro struggling with a boa constrictor' adapted from an Art In Context talk, 10 April 1990, New Haven, CT, 1990, p. 1-8, V2395 (YCBA)
  • Bibliograpic reference :: Hugh Honour, The Image of the Black in Western Art Vol. 4 From the American Revolution to World War I, Part 1 Slaves and Liberators, vol. 4, part 1, Belknap Press of Harvard University Press, Cambridge, MA, 1989, pp. 90-91, 320 note 225, fig. 44, N8232 .I42 2010 vol. 4:1 + OVERSIZE (YCBA) , Citations are to Vol. 4, Part 1
  • Bibliograpic reference :: Linda Furgerson Selzer, Reading the Painterly Text, Clarence Major's "The Slave Trade: View from the Middle Passage", African American Review, vol. 33, Summer 1999, pp. 222, 228, Available online via JSTOR
  • Bibliograpic reference :: Linda Furgerson Selzer, Reading the Painterly Text, Clarence Major's "The Slave Trade: View from the Middle Passage", African American Review, vol. 33, Summer 1999, pp. 222, 228, PS 153 N5 B53 (SML)
  • Bibliograpic reference :: Malcolm Cormack, A Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 234, 235, N590.2 A83 (YCBA)
  • Bibliograpic reference :: Malcolm Cormack, A concise catalogue of paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 234, 235, N590.2 A83 (YCBA)
  • Bibliograpic reference :: Patrick Noon, Constable to Delacroix, British art and the French romanticism, Tate Publishing, London, 2003, p. 164, no. 83, ND457 N66 2003 + (YCBA)
  • Dimension height :: 83.8cm
  • Dimension width :: 119.4cm
  • Exhibition :: 2016 Installation YCBA - 401
  • Exhibition :: Constable to Delacroix : British Art and the French Romantics 1820-1840
  • Exhibition :: James Ward
  • Exhibition :: The Critique of Reason : Romantic Art, 1760–1860
  • Located in :: 401
  • Located in :: Bay15
  • Located in :: New Haven
  • Located in :: On view
  • Located in :: YCBA, 401, Bay15
  • Located in :: Yale Center for British Art
  • Object type :: painting
  • Subject Concept :: brushstrokes
  • Subject Concept :: figure study
  • Subject Concept :: man
  • Subject Concept :: movement
  • Subject Concept :: pain
  • Subject Concept :: slave
  • Subject Concept :: slavery
  • Subject Concept :: snake
  • Subject Concept :: strangling
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  • Yale Center for British Art, Paul Mellon Collection
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  • Man Struggling with a Boa Constrictor, Study for "Liboya Serpent Seizing its Prey"
  • Man Struggling with a Boa Constrictor, Study for “The Liboya Serpent Seizing His Prey”
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