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  • Alternate title :: Chiron and Achilles
  • Bibliograpic reference ::
  • Bibliograpic reference :: Acquisitions : The First Decade 1977-1986, Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1986, p. 10, no. 1, fig. 1, N590.2 A7 OVERSIZE (YCBA)
  • Bibliograpic reference :: Anna Ottani Cavina, Appunti : James Barry, un libro e una mostra, Paragone: Rivista mensile di arte figurative e letteratura fondata d Roberto Longhi, vol. 34, March 1983, p. 70, fig. 48, N4 P37 (HAAS)
  • Bibliograpic reference :: Catalogues of Pictures Exhibited at the Rooms of the Royal Academy, Library of the Fine Arts, vol. 2, December 1831, p. 405, no. 14, Available online: British Periodicals database
  • Bibliograpic reference :: Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 1, ND466 G67 (YCBA)
  • Bibliograpic reference :: Cultivating the human faculties, James Barry (1741-1806) and the Society of Arts, Lehigh University Press, Bethlehem, Pa., 2008, p. 108, fig. 30, NJ18 B2425 C85 2008 + (YCBA)
  • Bibliograpic reference :: David Bindman, Barry at the Tate, London, Burlington Magazine, vol. 125, April 1918, p. 241, N1 B87 OVERSIZE (YCBA)
  • Bibliograpic reference :: Duncan Robinson, Acquisitions : The First Decade 1977 - 1986, , Burlington Magazine, vol. 128, October 1986, p. 10, no. 1, fig. 1, N1 B87 128:3 OVERSIZE (YCBA)
  • Bibliograpic reference :: Ellis Waterhouse, Dictionary of British 18th Century Painters in Oils and Crayons, Antique Collectors' Club, Woodbridge, Suffolk, 1981, p. 42, ND466 +W38 Oversize (YCBA)
  • Bibliograpic reference :: Ellis Waterhouse, Dictionary of British 18th century painters in oils and crayons, Antique Collectors' Club, Woodbridge, Suffolk, 1981, p. 42, ND466 W38 OVERSIZE (YCBA)
  • Bibliograpic reference :: Fintan Cullen, Visual Politics : the Representation of Ireland 1750-1930, , Cork University Press, Cork [Ireland], 1997, pp. 27-29, 37. 40, no. 13, N6782 C85 1997 + (YCBA)
  • Bibliograpic reference :: Huon Mallalieu, Dutch Mannerist Painting is Sold for £32,000, The Times (London), London, 15 March 1977, p. 18, Available online: The Times Digital Archive , Also available on Microfilm: Film An T482 (SML)
  • Bibliograpic reference :: Ireland : crossroads of art and design, 1690-1840, The Art Institute of Chicago, Chicago, 2015, pp. 141, 142, 225, no. 11, fig. 4 (p. 142), N6787 .I74 2015 OVERSIZE (YCBA)
  • Bibliograpic reference :: Iris Wien, Joshua Reynolds : Mythos und Metapher, Wilhelm Fink, Munchen, 2009, p. 387, fig. 120, NJ18.R36 W54 2009
  • Bibliograpic reference :: James Barry, 1741-1806, history painter, Ashgate Publishing, Farnham, Surrey, England Burlington, VT, 2010, pp. 4, 78, NJ18.B2425 J34 2010 (YCBA)
  • Bibliograpic reference :: James Barry, James Barry, 1741-1806, 'the great historical painter', Crawford Art Gallery Gandon, Cork Kinsdale, 2005, pp. 11, 33, 38-39, 88-89, 178, 201, no. P11, NJ18 B2425 J35 2005 + (YCBA)
  • Bibliograpic reference :: John Barrell, Birth of Pandora, and the Division of Knowledge, The Macmillan Company, 1992, pp. 202-203, no. 41, DA485 B26 1992 (YCBA)
  • Bibliograpic reference :: L. Perry Curtis, Review of Visual Politics: The Representation of Ireland 1750-1930 by Fintan Cullan, , Victorian Studies, vol. 43, Autumn 2000, p. 162, Available online: JSTOR
  • Bibliograpic reference :: Malcolm Warner, Stubbs & the Horse, Yale University Press, New Haven and London, 2004, pp. 69-70, fig. 67, NJ18 St915 W37 (YCBA)
  • Bibliograpic reference :: Malcolm Warner, Stubbs & the horse, Yale University Press, New Haven Fort Worth, 2004, pp. 69-70, fig. 67, NJ18 St915 W37 (YCBA)
  • Bibliograpic reference :: Mick Wilson, Review of Visual Politics: the Representation of Ireland 1750-1930, , Circa Art Magazine, vol 81, Autumn 1997, p. 61, Available Online: JSTOR
  • Bibliograpic reference :: Noble Simplicity and Silent Greatness, Neoclassical Art, 1700-1900, Yale University Art Gallery, New Haven, 1991, p. 6, no. 6, N6425 N4 N63 1991 (YCBA)
  • Bibliograpic reference :: Peter Murray, Review of Visual Politics: The Representation of Ireland 1750-1930, , Irish Arts Review Yearbook, vol. 15, 1999, pp. 174-175, Available Online :JSTOR
  • Bibliograpic reference :: Report on the Papers of Ozias Humphry, R.A. (1743-1810) in the Custody of the Royal Academy of Arts, Burlington House, Piccadilly, London W1V ODS, Yale University Press, New Haven, 2004, p. 29, cat. HU/7/1, NJ18 H913 G74 OVERSIZE (YCBA)
  • Bibliograpic reference :: Royal Academy of Arts, Exhibition Catalogue. 1772. 4th, Exhibition of the Royal Academy of Arts, no. 4, London, 1772, p. 4, no. 14, N5054 A53 (YCBA)
  • Bibliograpic reference :: The Noble Horse, From Pegasus to Thoroughbred, Television Tokyo Channel 12, Ltd., 2000, pp. 30, 113, English Catalogue p. 3, no. 8, pl. 8, N7668 H6 N6 2000 (YCBA)
  • Bibliograpic reference :: The works of James Barry, Esq. Historical painter, ... Containing his correspondence from France and Italy with Mr. Burke - His lectures on painting delivered at the Royal Academy - Observations on differnt works of art in Italy and France - Critical remarks on the principal paintings of the Orleans Galle, John M'Creery, London, 1809, (vol 1) pp. 111, 241, N7445.2 B27 (YCBA) +
  • Bibliograpic reference :: To James B___y, Morning Chronicle and London Advertiser, 3 May 1773, p. 2, Available online: 17th and 18th Century Burney Collection
  • Bibliograpic reference :: To the Printer of the Middlesex Journal, Middlesex Journal, London, 23-25 April 1772, p. 4, Available online: 17th and 18th Century Burney Collection
  • Bibliograpic reference :: Tom Dunne, Cultural Role of the Visual, Irish Review, Autumn-Winter 1997, pp. 136-139, Available online: JSTOR
  • Bibliograpic reference :: Walter G. Strickland, A dictionary of Irish artists, Maunsel & company, limited, Dublin London, UK, 1913, p. 43 (v. 1), N6782 S76 (YCBA)
  • Bibliograpic reference :: William Hauptman, Michel-Vincent Brandoin and Kauffman's 'Acontio', Notes in the History of Art, vol. 15, Spring 1996, pp. 14-19, 15, Available online: JSTOR
  • Bibliograpic reference :: William L. Pressly, James Barry's murals at the Royal Society of Arts : envisioning a new public art, Cork University Press, Cork, Ireland, 2014, pp. 191, 197-205, 228, 307, fig. 30, NJ18.B2425 P725 2014 OVERSIZE (YCBA)
  • Bibliograpic reference :: William L. Pressly, Life and Art of James Barry, Yale University Press, New Haven, 1981, pp. 35-36, 40, 48, 54, 230, no. 10, pl. II, NJ18 B2425 P73 (YCBA)
  • Dimension height :: 102.9cm
  • Dimension width :: 128.9cm
  • Exhibition :: 2016 Installation YCBA - 401
  • Exhibition :: Ireland - Art on a World Stage 1690-1840
  • Exhibition :: James Barry (1741-1806) The Great Historical Painter
  • Exhibition :: James Barry - Tate
  • Exhibition :: Noble Simplicity and Silent Greatness - Neoclassical Art from 1700 - 1900
  • Exhibition :: The Noble Horse (II)
  • Located in :: 401
  • Located in :: Bay12
  • Located in :: New Haven
  • Located in :: On view
  • Located in :: YCBA, 401, Bay12
  • Located in :: Yale Center for British Art
  • Object type :: painting
  • Subject Concept :: Greek
  • Subject Concept :: art
  • Subject Concept :: centaurs
  • Subject Concept :: child
  • Subject Concept :: children
  • Subject Concept :: costume
  • Subject Concept :: death
  • Subject Concept :: diagram
  • Subject Concept :: gesture
  • Subject Concept :: herm
  • Subject Concept :: horse (animal)
  • Subject Concept :: infant
  • Subject Concept :: inscription
  • Subject Concept :: landscape
  • Subject Concept :: lyre
  • Subject Concept :: mathematics
  • Subject Concept :: men
  • Subject Concept :: mother
  • Subject Concept :: music
  • Subject Concept :: mythology
  • Subject Concept :: religious and mythological subject
  • Subject Concept :: shadow
  • Subject Concept :: shield
  • Subject Concept :: spear
  • Subject Concept :: statue
  • Subject Concept :: teaching
  • Subject Concept :: war
  • Subject Concept :: woman
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  • ...
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  • Yale Center for British Art, Paul Mellon Fund
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?:label
  • The Education of Achilles
?:type