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  • Alternate title :: The Oath of Brutus
  • Bibliograpic reference :: Anecdotes of painting in England, <1760-1795> with some account of the principal artists : and incidental notes on other arts, Yale University Press, New Haven London, 1937, p. 95, ND461 W25 1937 (YCBA)
  • Bibliograpic reference :: Anthony D. Smith, Chosen peoples, sacred sources of national identity, Oxford University Press, Oxford, 2003, pl. I, BL65 N3 S65 2003 (SML)
  • Bibliograpic reference :: Antiquity revived, neoclassical art in the eighteenth century, Gallimard, Paris, France, 2011, p. 94, 41, N6848.5 N4 A57 2011 (YCBA)
  • Bibliograpic reference :: B. C. Skinner, Letters- Hamilton's Oath of Brutus, by B.C. Skinner; Response by Mr. Rosenblum, Burlington Magazine, Vol. 103,no.697, April 1961, p. 146, N1 B87 + (YCBA)
  • Bibliograpic reference :: Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 27, ND466 G67 (YCBA)
  • Bibliograpic reference :: Christie's sale catalogue : Fine English Portraits and Landscape Paintings : March 22, 1968, Christie's, Friday, March 22, 1968, No. 28, X348 C46 I.1968/3/22 (LSF - MUDD)
  • Bibliograpic reference :: David Carrier, Gavin Hamilton's Oath of Brutus and David's Oath of the Boratii, The Revisionist Interpretation of Neo-Classical Art, The Monist, Vol. 71, No. 2, April 1988, pp. 197- 213, NJ18 D26 A15 O27 1988 (YCBA)
  • Bibliograpic reference :: David Carrier, Principles of art history writing, Pennsylvania State University Press, University Park, 1991, P. 145, 146, N380 C37 1991 (YCBA)
  • Bibliograpic reference :: David Irwin, Gavin Hamilton: Archaeologist, Painter, and Dealer, Art Bulletin, Vol. 44, No. 2, June 1962, p. 96, Available online , Available online in JSTOR
  • Bibliograpic reference :: Edgar Peters Bowron, Art in Rome in the eighteenth century, Merrell, London Philadelphia, 2000, p. 381, no. 231, N6920 A7X 2000 OVERSZE (HAAS) , Another copy is available in the Lewis Walpole Library
  • Bibliograpic reference :: Ellis Waterhouse, The British contribution to the neo-classical style in painting., Vol. 1954, London, 1955, pp. 71-72, pl. IX, ND464 W35 (YCBA)
  • Bibliograpic reference :: Gillian Perry, Femininity and masculinity in eighteenth-century art and culture, Manchester University Press, Manchester New York, 1994, pp. 8-9, 78-98, NX452 F46 1994 YCBA)
  • Bibliograpic reference :: Helmut von Erffa, The paintings of Benjamin West, Yale University Press, New Haven, 1986, p. 38, NJ18 W52 A12 E73 + OVERSIZE (YCBA)
  • Bibliograpic reference :: John Woodward, British painting, a picture history, Vista Books, London, 1962, p. 55, ND464 W66 1962 (YCBA)
  • Bibliograpic reference :: Paul Mellon's legacy, a passion for British art. [large print labels], Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 +P381 2007, Mellon Shelf (YCBA)
  • Bibliograpic reference :: Peter A. Tomory, Three Oaths for Gavin Hamilton, Australian Journal of Art, Vol. 1, 1978, pp. 59-64, N1 A88 (HAAS)
  • Bibliograpic reference :: Robert Rosenblum, A source for David's "Horatii", Burlington Magazine, Vol. 112, No.806, May 1970, p. 269, N1 B87 + OVERSIZE (YCBA)
  • Bibliograpic reference :: Robert Rosenblum, Gavin Hamilton's Brutus and Its Aftermath, Burlington Magazine, Vol. 103, No.964, January 1961, pp. 8- 16, fig. 22, N1 B87 + (YCBA)
  • Bibliograpic reference :: Simon Lee, David, Phaidon, London, 1999, p. 82, NJ18 D26 L44 FMK9490 1999 (HAAS)
  • Bibliograpic reference :: The English prize, the capture of the Westmorland, an episode of the grand tour, Yale University Press, New Haven, 2012, p. 119, N9135 .E54 2012 + OVERSIZE (YCBA)
  • Bibliograpic reference :: The life & letters of Gavin Hamilton (1723-1798), artist & art dealer in eighteenth-century Rome, Harvey Miller Publishers, London, 2011, v.1, pp. 78,81,86-87,88, 93.,155-57168-69, 182,189,193,413-14, Pl. 8, NJ18.H172344 A12 2011 (YCBA)
  • Bibliograpic reference :: William Vaughan, British painting, the Golden Age from Hogarth to Turner, Thames and Hudson, London, 1999, p. 115, ND466 V28 1999 (YCBA)
  • Bibliograpic reference :: Yale Center for British Art, Selected paintings, drawings & books, Yale University Press, New Haven, CT, 1977, p. 23, N590.2 A82 (YCBA)
  • Dimension height :: 213.4cm
  • Dimension width :: 264.2cm
  • Exhibition :: 2016 Installation YCBA - 401
  • Exhibition :: Art in Rome in the Eighteenth Century
  • Exhibition :: Neoclassicism - A Taste for the Antique
  • Located in :: 401
  • Located in :: Bay12
  • Located in :: New Haven
  • Located in :: On view
  • Located in :: Yale Center for British Art
  • Object type :: painting
  • Subject Concept :: (story of) Lucretia
  • Subject Concept :: Classical
  • Subject Concept :: armor
  • Subject Concept :: dagger
  • Subject Concept :: drapery
  • Subject Concept :: father
  • Subject Concept :: husband
  • Subject Concept :: purple
  • Subject Concept :: red
  • Subject Concept :: religious and mythological subject
  • Subject Concept :: yellow
  • Subject Event :: death
  • Subject Event :: suicide
  • Subject Object :: myth
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  • ...
?:PX_has_credit_line
  • Yale Center for British Art, Paul Mellon Collection
?:PX_has_main_representation
?:label
  • The Death of Lucretia
?:type